In article ,
Iain Churches wrote:
Ask your sound supervisor.
Ask myself?
Just a couple of weeks ago you said you were "an operator"
Congratulations of your speedy promotion:-))))
A sound supervisor is still an operator. Operator differentiates from
engineer who designs and repairs things - but doesn't operate them. And
management, of course.
Those I worked under when those progs were common have long
since retired. But of course those progs were mono anyway.
Good recording locations. like St John's Smith Square
are difficult to book these days, due to block bookings
by the BBC.
Sigh. I was talking about *studio* operations. In TV. Outside broadcasts
are done by different people with different skills.
Wonder how many of these 'block bookings' are for TV?
So those type of recordings are still being made, Dave, it's just that
you don't get to work on them.
Perhaps at the level you work at Iain you don't need to specialise. Or
since you live in a small country specialisation isn't possible. But in UK
TV sound things are very different. You choose the type of work you want
to do. And drama is by far the biggest employer. So I chose that. I don't
know of anyone who makes a living out of doing purely classical music for
TV. That's not to say such a person doesn't exist.
--
*Great groups from little icons grow *
Dave Plowman
London SW
To e-mail, change noise into sound.