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cd recordings v's minidisc recordings
Hi all I'm new to this group and was hoping to get some sound advice from here. I've been with an amatuer theatre for the last few years providing bespoke sfx for their productions. I've been using minidisc format for most of the time untill recentley I invested in a dual cd player http://www.numark.com/cdn35 The most annoying thing I found was; 1...How to remove the silence bit and still have the unit autopause. (it's annoying when you have some cues pretty close together, but it adds 2 to 5 secs before next track can play) 2...How to stop some tracks playing a millisecond of the neaxt track just before autopausing. I use mixcraft to edit and produce my sfx, which adds approx 3 sec silence to the end of the saved file, and CD burning software adds approx 2 sec silence to the beggining of a track. Is there a workaround, or can these points be resolved with CD media? ps I know dual mp3 players and HDD tech would do the job, but I need to get the most using CD media with this unit. -- Regards p.mc |
cd recordings v's minidisc recordings
On Fri, 12 Mar 2010 06:38:35 -0000, "p.mc" wrote:
Hi all I'm new to this group and was hoping to get some sound advice from here. I've been with an amatuer theatre for the last few years providing bespoke sfx for their productions. I've been using minidisc format for most of the time untill recentley I invested in a dual cd player http://www.numark.com/cdn35 The most annoying thing I found was; 1...How to remove the silence bit and still have the unit autopause. (it's annoying when you have some cues pretty close together, but it adds 2 to 5 secs before next track can play) 2...How to stop some tracks playing a millisecond of the neaxt track just before autopausing. I use mixcraft to edit and produce my sfx, which adds approx 3 sec silence to the end of the saved file, and CD burning software adds approx 2 sec silence to the beggining of a track. Is there a workaround, or can these points be resolved with CD media? ps I know dual mp3 players and HDD tech would do the job, but I need to get the most using CD media with this unit. Probably the best thing you could do is move everything into a more conducive environment for editing. Copy your CD into a PC, then use virtually any DAW software to perform all the manipulation you want. You can then burn back to CD with any gaps (or no gaps) that you want. You may want to release the final versions as MP3, but don't let that format become a part of the production process; you lose quality at every stage and it isn't recoverable. d |
cd recordings v's minidisc recordings
"Don Pearce" wrote in message
... On Fri, 12 Mar 2010 06:38:35 -0000, "p.mc" wrote: Hi all I'm new to this group and was hoping to get some sound advice from here. I've been with an amatuer theatre for the last few years providing bespoke sfx for their productions. I've been using minidisc format for most of the time untill recentley I invested in a dual cd player http://www.numark.com/cdn35 The most annoying thing I found was; 1...How to remove the silence bit and still have the unit autopause. (it's annoying when you have some cues pretty close together, but it adds 2 to 5 secs before next track can play) 2...How to stop some tracks playing a millisecond of the neaxt track just before autopausing. I use mixcraft to edit and produce my sfx, which adds approx 3 sec silence to the end of the saved file, and CD burning software adds approx 2 sec silence to the beggining of a track. Is there a workaround, or can these points be resolved with CD media? ps I know dual mp3 players and HDD tech would do the job, but I need to get the most using CD media with this unit. Probably the best thing you could do is move everything into a more conducive environment for editing. Copy your CD into a PC, then use virtually any DAW software to perform all the manipulation you want. You can then burn back to CD with any gaps (or no gaps) that you want. You may want to release the final versions as MP3, but don't let that format become a part of the production process; you lose quality at every stage and it isn't recoverable. I agree totally. Computer based editing is so vastly superior to any other method that it's a no-brainer. If I was doing SFX for amateur dramatics these days I use a laptop, anything else is clunky and difficult by comparison. David. |
cd recordings v's minidisc recordings
In article ,
p.mc wrote: Hi all I'm new to this group and was hoping to get some sound advice from here. I've been with an amatuer theatre for the last few years providing bespoke sfx for their productions. I've been using minidisc format for most of the time untill recentley I invested in a dual cd player http://www.numark.com/cdn35 The most annoying thing I found was; 1...How to remove the silence bit and still have the unit autopause. (it's annoying when you have some cues pretty close together, but it adds 2 to 5 secs before next track can play) 2...How to stop some tracks playing a millisecond of the neaxt track just before autopausing. I use mixcraft to edit and produce my sfx, which adds approx 3 sec silence to the end of the saved file, and CD burning software adds approx 2 sec silence to the beggining of a track. Is there a workaround, or can these points be resolved with CD media? ps I know dual mp3 players and HDD tech would do the job, but I need to get the most using CD media with this unit. Personally, I'd stick with MiniDisc. Or move on to a computer based play in system. CD sucks for this sort of thing. Although there are some expensive pro versions that buffer things to give near instant response. Maybe even available now at the disco end of the market. -- *Great groups from little icons grow * Dave Plowman London SW To e-mail, change noise into sound. |
cd recordings v's minidisc recordings
"Don Pearce" wrote
Probably the best thing you could do is move everything into a more conducive environment for editing. Copy your CD into a PC, then use virtually any DAW software to perform all the manipulation you want. You can then burn back to CD with any gaps (or no gaps) that you want. You may want to release the final versions as MP3, but don't let that format become a part of the production process; you lose quality at every stage and it isn't recoverable. Actually re-reading the OP's post I think maybe his *is* using a PC for editing. He talks about using "mixcraft" and burning to CD. But these apparently add 3 seconds and 2 seconds of silence respectively to the ends of the files. Clearly he is using the wrong software. I use CoolEdit to create and Nero to burn, neither necessarily adds any silence. But I also wonder why he wants to burn to CD at all. Direct playback from a lap-top seems to me to be far and away the easiest and most satisfactory way of playing out SFX during a performance. For the price he paid for his dual CD player he could have bought a suitable laptop. David. |
cd recordings v's minidisc recordings
"David Looser" wrote in message ... "Don Pearce" wrote Probably the best thing you could do is move everything into a more conducive environment for editing. Copy your CD into a PC, then use virtually any DAW software to perform all the manipulation you want. You can then burn back to CD with any gaps (or no gaps) that you want. You may want to release the final versions as MP3, but don't let that format become a part of the production process; you lose quality at every stage and it isn't recoverable. Actually re-reading the OP's post I think maybe his *is* using a PC for editing. He talks about using "mixcraft" and burning to CD. But these apparently add 3 seconds and 2 seconds of silence respectively to the ends of the files. Clearly he is using the wrong software. I use CoolEdit to create and Nero to burn, neither necessarily adds any silence. But I also wonder why he wants to burn to CD at all. Direct playback from a lap-top seems to me to be far and away the easiest and most satisfactory way of playing out SFX during a performance. For the price he paid for his dual CD player he could have bought a suitable laptop. Yes. He needs a "park on a sixpence" player, with a rotary cue control if he wants to play from CD. As you say, playing out from a laptop with visual cueing would be much better. Iain |
cd recordings v's minidisc recordings
"p.mc" wrote in message ... Hi all I'm new to this group and was hoping to get some sound advice from here. I've been with an amatuer theatre for the last few years providing bespoke sfx for their productions. I've been using minidisc format for most of the time untill recentley I invested in a dual cd player http://www.numark.com/cdn35 The most annoying thing I found was; 1...How to remove the silence bit and still have the unit autopause. (it's annoying when you have some cues pretty close together, but it adds 2 to 5 secs before next track can play) 2...How to stop some tracks playing a millisecond of the neaxt track just before autopausing. I use mixcraft to edit and produce my sfx, which adds approx 3 sec silence to the end of the saved file, and CD burning software adds approx 2 sec silence to the beggining of a track. Is there a workaround, or can these points be resolved with CD media? ps I know dual mp3 players and HDD tech would do the job, but I need to get the most using CD media with this unit. I have two early CD players by Denon which were designed for broadcast and audio post, which do precisely what you are trying to do, and cue with extreme accuracy.to 1/3 frame (1/75 second) with material both from published libraries such as Sound Ideas, or your own CD SFX compilations. http://img.tweedehands.nl/f/normal/5...dge-player.jpg They were triggered from the console by a GP relay, but there is no reason which you could not trigger them manually, or with a wired remote, to a script or a visual cue. The sound assistant loaded the CDs and cued each machine in turn, either using headphones, or to a written time code displayed by the machine (see pic) which he/she had written in the margin of the script. By this method, we could lay fairly long sequences of music and FX without stopping. These machines also have varispeed, which was useful in matching the pitch of tuned FX (gong etc) to a music track. But surely, in your case playing out SFX from a PC with visual cueing would be much better. Iain Iain |
cd recordings v's minidisc recordings
On Fri, 12 Mar 2010 06:38:35 -0000, "p.mc" wrote:
I've been with an amatuer theatre for the last few years providing bespoke sfx for their productions. I've been using minidisc format for most of the time untill recentley I invested in a dual cd player That seems a step backwards for your requirements! Most things can be made to work, but using CD makes the job harder. I see why you're looking for a replacement for minidisc - this most useful format is unfortunately becoming rapidly unsupported. But I'm not sure the answer is CD. |
cd recordings v's minidisc recordings
"p.mc" wrote in message
Hi all I'm new to this group and was hoping to get some sound advice from here. I've been with an amatuer theatre for the last few years providing bespoke sfx for their productions. I've been using minidisc format for most of the time untill recentley I invested in a dual cd player http://www.numark.com/cdn35 What you really should have done is moved into the 21st century, and started using a computer as your delivery platform for SFX. But, the CD format is not all that bad. The most annoying thing I found was; 1...How to remove the silence bit and still have the unit autopause. (it's annoying when you have some cues pretty close together, but it adds 2 to 5 secs before next track can play) +1 to all the other people who pointed out that you need to learn how to do digital audio editing. It doesn't take a degree in rocket science or all of the hardware at Cape Canaveral. In fact all you need is: (1) Just about any modern PC, even a laptop. (2) Hardware and software that will allow you to load audio from the various delivery sources that you use. (a) The internet (b) CDs (i) EAC freeware for pulling digital audio files off of audio CDs (ii) Audacity freeware is a good servicable audio editor for your purposes (c) DVDs (i) FFMPEG and other freeware video editing software (ii) Adobe Premiere Elements (3) Hardware and software for re-encoding your finished work into a delivery format. (i) Nero 2...How to stop some tracks playing a millisecond of the neaxt track just before autopausing. Track marks and burning software that honors them. I use mixcraft to edit and produce my sfx, which adds approx 3 sec silence to the end of the saved file, and CD burning software adds approx 2 sec silence to the beggining of a track. It doesn't have to be that way. Nero CD burning software for example has an option for not inserting the 2 second silence. Is there a workaround, or can these points be resolved with CD media? I know dual mp3 players and HDD tech would do the job, but I need to get the most using CD media with this unit. I did that for a number of years before I moved on. The superset of what you are doing is basically the same thing but also with video. I've been doing that for the past 3 years at church. But, I still remember the audio-only days. |
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