![]() |
Dirty Digital [sic.]
In article ,
Eeyore wrote: Nothing to do with clipping - it's just that the true sound of say a sax doesn't come from the bell. Pianos not from the strings either. Strings not from the actual strings. Etc, etc. So where exactly ? Well, take a piano. That has a sounding board. So sticking a mic close to the strings alters the harmonic balance compared to a more distant one. Same with string instruments which have some form of resonator. -- *Do infants enjoy infancy as much as adults enjoy adultery? Dave Plowman London SW To e-mail, change noise into sound. |
Dirty Digital [sic.]
In article ,
Phil Allison wrote: Look pet, I record on location for a living. Not some amateur know it all like you. And any equipment which picks up phones from more than about a couple of feet is just plain badly designed - assuming it's been designed since mobile phones, that is. ** Wot a stupid, lying, Lying? I think you get 'The Bill' in Oz? Keep an eye out for my name in the credits before calling me a liar. The one two weeks ago in the UK for example, and the one this week... trolling, ego tripping moron like YOU assumes has got not got one tiny thing to do with reality. Care to try that again without all the spittle and bulging eyes? If mobile phones and taxis etc were the problem you seem to think I'd not be able to do my job. You simply can't stop members of the public having such things close to where we're shooting. -- *Everyone has a photographic memory. Some just don't have film* Dave Plowman London SW To e-mail, change noise into sound. |
Dirty Digital [sic.]
In article ,
Phil Allison wrote: "Dave Plowman (News) Complete **** " It's a poorly designed piece of equipment that picks up a GSM phone unless it is right on top of it. I'd say within 3 ft or so. Plenty is very much better than this. ** So ****ing what ???????????????????? The real world is FULL of poorly designed audio gear. Your world obviously. Perhaps it's down to your trailer not being properly screened. ****ing musos own bucket loads of it and DRAG it all into recording studios when they go there. You need to move on from demos at your age. But you'd need a personality transplant first. Go eat **** - you mother ****ing pile of autistic Heh heh - try reading some of your own posts. pommy vermin. Can't you think of a few new insults? ...... Phil Are those dots thinking time before typing your name? -- *No I haven't stolen it , I'm just a **** driver* Dave Plowman London SW To e-mail, change noise into sound. |
Dirty Digital [sic.]
In article , Phil Allison
scribeth thus "tony sayer" As for two way vehicle radios, yes we've all heard that coming through. It always means there is a problem like a bad joint somewhere that is rectifying. More likely a semi conductor junction that hasn't been by passed at those frequencies... You don't screen it, you fix it. You can regard the local minicab company as a diagnostic aid. Now less of a problem in practice with the demise of AM modulation systems.. ** GSM phones ARE AM !!!!!!!!!!!!!!! A form of AM .. QAM... The carrier is gated on and off hundreds of times a second. Indeed.. That is why they make audio gear buzz - you dumb ass. Ah!, thats true .. but its only because most all accidental demodulation is "Amplitude" in nature this mechanism isn't a frequency discriminator as such hence the "apparent" noise. FM and CW for that matter can affect equipment but do it in a different way.. The old analogue phones were simple FM and had no such issues. Yes they did but they, as explained above, weren't quite so apparent but they could and do cause voltage shifts and suchlike which is "interference" albeit of a different nature... ...... Phil -- Tony Sayer |
Dirty Digital [sic.]
|
Dirty Digital [sic.]
|
Dirty Digital [sic.]
|
Dirty Digital [sic.]
In article , Don Pearce
scribeth thus Eeyore wrote: Don Pearce wrote: Eeyore wrote: Don Pearce wrote: Eeyore wrote: Don Pearce wrote: The equipment you use in your studio should have all the screening it needs built into it. A Faraday cage for electric guitar is all the extra that should ever be needed. Try installing a studio near a railway track. You know how they do signalling ? Remember what I was saying earlier about structure-borne LF noise? Install a studio near a railway track and you will very quickly find out why you don't do that Just done one, well Westwick has. , and it has nothing to do with signalling. I believe that's what it is. Funny warbling noises. I may have it on MD somewhere. Interested to hear it. If I can find it you're welcome. Oh, and they do signalling through wires, not radio. Who said anything about radio ? Kind of needs to be wireless to radiate to a nearby building. No. A large magnetic field. It amazed me at its range in fact. Graham I've seen railway signalling wire (a mate of mine drives for South West Trains) and it is heavy duty twin flex. It doesn't use earth for its return, so it should not be generating magnetic fields - far too small a loop. d Its usually done as part of "track circuiting" this is on non electrified lines at DC, but owing to the traction return currents they do use AC signalling in the rails.. -- Tony Sayer |
Dirty Digital [sic.]
Don Pearce wrote: Eeyore wrote: Don Pearce wrote: Eeyore wrote: http://64.233.183.104/search?q=cache...7&client=opera Magnetic Field Immunity 50Hz-10kHz Test methods detailed in Annex A of EN55103-2 Right. So equipment is already specified as immune to magnetic fields. No need to add shielding then. Have you been taking drugs today or something ? Or did your brain not wake up with the rest of your body ? Which part of "Test methods detailed in Annex A of EN55103-2" did you miss ? Nope, saw that. Good, so you'll know that Annex A describes the test fixture to be used then won't you ? Graham |
Dirty Digital [sic.]
|
All times are GMT. The time now is 05:59 AM. |
Powered by vBulletin® Version 3.6.4
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.
SEO by vBSEO 3.0.0
Copyright ©2004-2006 AudioBanter.co.uk