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Advice needed on new Hi-Fi system
"dave weil" wrote in message ... On Tue, 23 Sep 2003 14:04:47 -0400, "Arny Krueger" wrote: "dave weil" wrote in message .. . On Tue, 23 Sep 2003 06:32:28 GMT, (Stewart Pinkerton) wrote: I'm having trouble seeing how you'd score a "no difference". Aren't you supposed to choose one amp or the other? You just state that you can't tell any difference, and abandon the test. After all, if you really can't hear any difference, there's no point in carrying on. But wouldn't you have to test your own acuity here? Hence the PCABX Training Room That has nothing to do with what I'm talking about. You one isn't *willing* to have the acuity, it should be tested for. Next time try posting in English, Weil. Certainly you can test to see if you have the "right" as it were, to be testing for differences in the first place. Another means - testing progressively smaller differences where the larger differences are multiples of the actual difference. Also done at PCABX. You still don't understand my point. I'm talking about the possibility that someone might not *want* to hear differences, even subconsciously, because of some bias. Only in Weil land do audiophiles say to themselves: "Goody-goody gumdrops, I'm going to fail a listening test". To elaborate, if someone can't tell the difference between, say, an SET and a Denon, they shouldn't be expressing an opinion in the first place. That would depend on which SET and which Denon and the other details of the tests. I'm obviously speaking of an amp that measures "differently" and "sounds" differently. If you had only said what you meant the first time, Weil. Presuming of course that is what you knew, the first time. If they are being willful and REFUSING to hear a difference (as I think is the case with guys like Howard Ferstler, who are too invested in their religious belief that everything sounds the same), shouldn't they be independently tested using a TRUE blind setup where they don't even know the amps being tested (I assume that you knew at least the amps you had on hand for testing, right? Nicely handled in the case where you start out with an enhanced difference based on some number of multiples of the final actual difference. Also nicely handled where you have some true believers in the audibility of the difference. Please speak plainly. Communication is composed of transmitting information and receiving it. Sorry to hear that your receiver is broken, Weil. Alternately, a little misdirection could be used (like those old apocryphal stories of people coming into wealthy audiophiles' homes and secretly substitution cheap gear and watching the audiophile note no difference for weeks). The only apocryphal part being the stated time frame - weeks. If you say hours, then the story is true and I been there and seen that done. Tom Nousiane spoke about such a case, and I'm sure that weeks were involved (it could have been from one week to the other). The story was told clearly, and clearly said otherwise. http://www.google.com/groups?selm=JM...news.flash.net I have to wonder how you would howl (and how you would perform for that matter) if the shoe were on the other foot. Weil you wonder only due to your inability to understand plain English. In other words, you either a.: tell some mid-fi snob that they are comparing an SET with a Denon receiver when, in fact, they are listening to the same amp. Always done in half of an ABX comparison. Please explain. Half of an ABX test (either AX or BX) is a comparison in which the unknown and the reference are the same. Half is a comparison in which the unknown and the reference are different (BX or AX, respectively). Then, you would see if they suddenly thought that they could hear differences. Or, b. you could insert an SET into the mix without telling them and see if they pick it up. Or you take a true believer, let him hear the difference when its augmented by a factor of say 20, and then cut it down in stages and watch them work themselves up into a froth trying to hear a 5x difference that is too small for them to hear. We aren't talking about that. We usually describes more than one person. Since at least one of us is talking about exactly that, you are exactly wrong, Weil. Please don't change the subject. That's a different issue entirely. Only in your narrow mind, Weil. Does this make sense? Only if I want to watch Weil re-invent wheels I've already ridden to Los Angeles and back. shrug Horse taken to water, horse refused to drink for the jillionth time. Not news! |
Advice needed on new Hi-Fi system
On Tue, 23 Sep 2003 19:57:02 -0400, "Arny Krueger"
wrote: snip Horse taken to water, horse refused to drink for the jillionth time. Not news! Typical Arnold stuff. A total waste of a post. |
Advice needed on new Hi-Fi system
On Tue, 23 Sep 2003 19:57:02 -0400, "Arny Krueger"
wrote: snip Horse taken to water, horse refused to drink for the jillionth time. Not news! Typical Arnold stuff. A total waste of a post. |
Advice needed on new Hi-Fi system
Stewart "I'm a qualified physicist and an engineer" Pinkerton wrote:
JBorg wrote: ... ball is on your court. You are a tiresome troll, Middius - but I knew that before. That was a total snip job you made there, this time. What happen to the rest of the post? Once again, you've proven yourself to be a flapdoodle that wilt, tilt, and limp. And why are you trolling fine others instead of replying to the post? Why did you lie by falsely accusing me of quoting you out of context? Is this the best you can do? Only cowards do such things. How could uk.rec.audio tolerate your absurdity? You said: " If you really believe in 'cable sound', I have a standing offer of £1,000 to *anyone* who can tell apart any two cables under double-blind conditions, the only proviso being that they measure +/- 0.1dB from 20-20kHz at the speaker terminals. This is trivially easy for all but the most pathological cables. " Are you still sure about this offer at RAO ? HELllllllooooooooo ?? JBorg, Jr Reporting for RAO |
Advice needed on new Hi-Fi system
Stewart "I'm a qualified physicist and an engineer" Pinkerton wrote:
JBorg wrote: ... ball is on your court. You are a tiresome troll, Middius - but I knew that before. That was a total snip job you made there, this time. What happen to the rest of the post? Once again, you've proven yourself to be a flapdoodle that wilt, tilt, and limp. And why are you trolling fine others instead of replying to the post? Why did you lie by falsely accusing me of quoting you out of context? Is this the best you can do? Only cowards do such things. How could uk.rec.audio tolerate your absurdity? You said: " If you really believe in 'cable sound', I have a standing offer of £1,000 to *anyone* who can tell apart any two cables under double-blind conditions, the only proviso being that they measure +/- 0.1dB from 20-20kHz at the speaker terminals. This is trivially easy for all but the most pathological cables. " Are you still sure about this offer at RAO ? HELllllllooooooooo ?? JBorg, Jr Reporting for RAO |
Advice needed on new Hi-Fi system
is it over yet?
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Advice needed on new Hi-Fi system
is it over yet?
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Advice needed on new Hi-Fi system
On Tue, 23 Sep 2003 09:57:28 -0500, dave weil
wrote: On Tue, 23 Sep 2003 06:32:28 GMT, (Stewart Pinkerton) wrote: The Krell KSA-50mkII, Hafler XL-600 and Audiolab 8000P were sonically indistinguishable into Apogee Duetta Signatures, a Yamaha AX-570 was almost identical aside from a tiny amount of treble brightness, while other amps from Rega, Musical Fidelity and Arcam were sonically distinguishable for various reasons. Could you elaborate? I've done so several times, I can't be bothered any more. So, I would assume that these tests indicate that the Yamaha and all of the others aren't properly designed. Or was there the possibility of malfunction? The Rega was so harsh that there was certainly a possibity of malfunction, the MF I believe would have had a falling treble response, and the Yamaha might well have shown a little excess HF IMD or switching distortion. As it was part of a buying decision, I wasn't that interested in *why* the also-rans fell out. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
Advice needed on new Hi-Fi system
On Tue, 23 Sep 2003 09:57:28 -0500, dave weil
wrote: On Tue, 23 Sep 2003 06:32:28 GMT, (Stewart Pinkerton) wrote: The Krell KSA-50mkII, Hafler XL-600 and Audiolab 8000P were sonically indistinguishable into Apogee Duetta Signatures, a Yamaha AX-570 was almost identical aside from a tiny amount of treble brightness, while other amps from Rega, Musical Fidelity and Arcam were sonically distinguishable for various reasons. Could you elaborate? I've done so several times, I can't be bothered any more. So, I would assume that these tests indicate that the Yamaha and all of the others aren't properly designed. Or was there the possibility of malfunction? The Rega was so harsh that there was certainly a possibity of malfunction, the MF I believe would have had a falling treble response, and the Yamaha might well have shown a little excess HF IMD or switching distortion. As it was part of a buying decision, I wasn't that interested in *why* the also-rans fell out. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
Advice needed on new Hi-Fi system
On Tue, 23 Sep 2003 10:05:56 -0500, dave weil
wrote: On Tue, 23 Sep 2003 06:32:28 GMT, (Stewart Pinkerton) wrote: I'm having trouble seeing how you'd score a "no difference". Aren't you supposed to choose one amp or the other? You just state that you can't tell any difference, and abandon the test. After all, if you really can't hear any difference, there's no point in carrying on. But wouldn't you have to test your own acuity here? You already have - you can't tell a difference. Hence, for *you*, there is no difference. Why would you? In other words, you either a.: tell some mid-fi snob that they are comparing an SET with a Denon receiver when, in fact, they are listening to the same amp. Then, you would see if they suddenly thought that they could hear differences. Been there, done that, works every time. Wear your running shoes! :-) -- Stewart Pinkerton | Music is Art - Audio is Engineering |
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