In article , Keith G
wrote:
"Jim Lesurf" wrote in message
...
I must admit I haven't recalled anything like this which I'd regard as
a 'Vinyl War'.
That's because you weren't fighting it.
Agreed. So far as I can recall, I have had no objections or arguments with
anyone who prefers to play LPs. Nor do I have any wish to stop you voicing
your views - even when I disagree. :-)
I also wouldn't call it a 'win' for 'Vinyl' to simply feel
able to post your views.
What would qualify for a win?
In this context I had no real idea. That is why I was indicating that it
seemed a strange term to me to apply in this context.
Although you might feel it was a personal 'win',
Sure I bloody do - despite all the offlist 'encouragement' I got, there
weren't too many others taking the bashers on at the time....
In that case it was a 'win' for you in refusing to be put off. But that
isn't the same as a 'win' for the format.
I
don't see that as being one for 'Vinyl' as such. On that basis you
might just as easily say "CD has won some 'war'" because I and others
are happy to post comments about it here...
???
Your logic escapes me here....
The above seemed to me to be a mirror image of what you were saying.
However I assume now that your meaning was a personal 'win' in the face of
intense arguments. This would be a distinction between your statement and
mine - unless people want to argue against my preference for CD over
Vinyl... :-)
snip
On the above basis Vinyl looks to be only a tiny fraction of CD, and
are falling. Although it looks like Vinyl 45's are doing rather better
than SACD. :-)
Anyone know world or UK values for the above?
I take all these figures with a large pinch of salt - there was an
article in a UK publication recently that claimed a massive (170%?)
increase in the last year's sales of 7 inch singles.
Afraid that does sound as if you simply prefer to pick and choose the
figures, accepting those that suit your wishes and dismissing those who
don't. Can you say what "UK publication" said this and give a reference we
can check? The values I gave came from riaa.com. Not clear to me why they
might want to bend the figures to make Vinyl look less popular than
reality. Certainly, the values they give seem consistent with the
impressions I get talking to people outside the niche group who are keen
audio enthusiasts, and with what I get from looking in shops that aren't
specialist audio dealers.
Any of these figure could be wrong,
Indeed, or meaningless, or misleading. :-)
For example a "170 percent increase" might mean "we sold 10 last year and
27 this year". Massive increase, but somewhat less than a billion sales
overall. Nice for those who bought and enjoyed them, but may be well below
the radar for most people. May also be an incorrect figure.
the 'increases' in vinyl awareness/usage I refer to are more the new
decks and associated kit that keep coming out. Presumably people buying
the stuff have got something to play on it it?
Those who do, yes. In particular, I noted those who have 'legacy'
collections they still wish to play. But I am quite sure there are still
people eagerly buying new LPs, etc.
However I worked in the audio biz for long enough to realise that many
models (and manufacturers) appear, get reviews, then fade away. And that
what you read in magazines isn't always a reliable guide to reality.
The Vinyl systems recommended in magazines often look very nice, and the
write-ups make them sound great. But I have no clear idea how many units
are actually sold. Indeed, I suspect that only a small fraction of the UK
public even read such mags, let alone buy the things they recommend.
Thus the fact that new models keep appearing and get good reviews does not
ensure there is a rising tide of sales. May simple be selling different
models from one year to another, with a volume that may be varying without
regard to the number of models featured in magazines.
The above may not be a problem for niche market specialist makers since
they can simply charge a high price and sell in low volumes. (Assuming that
their models are ones that allow them to survive.) The point here is that
such makers can survive by selling to only a small fraction of the UK
public.
Slainte,
Jim
--
Electronics
http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm
Audio Misc
http://www.st-and.demon.co.uk/AudioMisc/index.html
Armstrong Audio
http://www.st-and.demon.co.uk/Audio/armstrong.html
Barbirolli Soc.
http://www.st-and.demon.co.uk/JBSoc/JBSoc.html