
September 11th 06, 10:30 PM
posted to uk.rec.audio
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Apogee mini dac or Benchmark DAC1
"Eeyore" wrote in
message ...
Keith G wrote:
"Arny Krueger" wrote
snip ********
What do you people play recorded music for - to be
entertained and pleased
Yeah, and there's a ton of music in this world that does not need to be
wallpapered to sound good.
or sit there with a notepad and
write down what defects you *think* you can hear....??
That seems to be what you tube bigots do.
Yeah, right - I post a quick and dirty recording, you come on here and
tell
me how many times it clipped....
No he didn't.
Yes he did, often - before your time....
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September 11th 06, 10:47 PM
posted to uk.rec.audio
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Apogee mini dac or Benchmark DAC1
Eeyore wrote:
I really sometimes wonder what the audiophool nuts reckon audio
professionals do for a living ?
Maybe they missed the fact that it isn't audiophools who actually
make the recordings, mix them down, master them and press them ? Only
then do the terminally clueless get a chance to think they can
somehow make it better than the original, which may have passed
through a thousand well-designed op-amp stages on its way to its
destination !
Are you saying that all "audio professionals" produce nothing but peerless
recordings which cannot be improved upon?
--
Wally
www.wally.myby.co.uk
You're unique - just like everybody else.
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September 11th 06, 10:57 PM
posted to uk.rec.audio
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Apogee mini dac or Benchmark DAC1
"Eeyore" wrote
snip crap
I really sometimes wonder what the audiophool nuts reckon audio
professionals do
for a living ?
Well, according to some sources, they could turn one of Beethoven's bottled
farts into his 10th Symphony if they wanted to, but let's not go there...
Maybe they missed the fact that it isn't audiophools who actually make the
recordings, mix them down, master them and press them ?
Steady on - you'll be giving the Fidelity Freaks a heart attack at this
rate....!!
Only then do the
terminally clueless get a chance to think they can somehow make it better
than
the original, which may have passed through a thousand well-designed
op-amp
stages on its way to its destination !
Call me a **** if you like, but I take hold of a record (even a CD
occasionally) and I consider it a *product* and all I want to do is get the
best of it - I don't terribly care what the conductor had for breakfast on
the morning of the recording session or what it smelled like in the
recording studio. All it has to do is sound as *realistic* as possible for
me - that's *my* realistic, not anyone else's and it definitely helps if I
can hear *all* of the voices, *all* of the words (where applicable) and
*all* of the instruments. I know from my own *personal experience* that a
lot of the so-called modern, blameless, low-distortion kit on modern
speakers just *doesn't do that*......!!
OK...??
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September 11th 06, 11:06 PM
posted to uk.rec.audio
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|
Apogee mini dac or Benchmark DAC1
Keith G wrote:
"Eeyore" wrote
Keith G wrote:
Yeah, right - I post a quick and dirty recording, you come on here and
tell me how many times it clipped....
No he didn't.
Yes he did, often - before your time....
But not in this thread.
Clipping *is* to be deprecated you know.
Graham
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September 11th 06, 11:10 PM
posted to uk.rec.audio
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|
Apogee mini dac or Benchmark DAC1
"Eeyore" wrote in
message ...
Keith G wrote:
"Eeyore" wrote
Keith G wrote:
Yeah, right - I post a quick and dirty recording, you come on here and
tell me how many times it clipped....
No he didn't.
Yes he did, often - before your time....
But not in this thread.
I can't help that - we can't start ukra from scratch just because you've
turned up....
Clipping *is* to be deprecated you know.
Tell that to the people who produced 80% of the last, say, 100 CDs I've
MP3'd to HDD.....
No, make that 80% of the 1,500 albums I've got MP3'd.....
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September 11th 06, 11:18 PM
posted to uk.rec.audio
|
|
Apogee mini dac or Benchmark DAC1
Keith G wrote:
"Eeyore" wrote
snip crap
I really sometimes wonder what the audiophool nuts reckon audio
professionals do for a living ?
Well, according to some sources, they could turn one of Beethoven's bottled
farts into his 10th Symphony if they wanted to, but let's not go there...
Those sources haven't a clue. It does however sound like a popular audiophool
misrepresentation.
Maybe they missed the fact that it isn't audiophools who actually make the
recordings, mix them down, master them and press them ?
Steady on - you'll be giving the Fidelity Freaks a heart attack at this
rate....!!
Only then do the
terminally clueless get a chance to think they can somehow make it better
than
the original, which may have passed through a thousand well-designed
op-amp
stages on its way to its destination !
Call me a **** if you like, but I take hold of a record (even a CD
occasionally) and I consider it a *product* and all I want to do is get the
best of it - I don't terribly care what the conductor had for breakfast on
the morning of the recording session or what it smelled like in the
recording studio. All it has to do is sound as *realistic* as possible for
me - that's *my* realistic, not anyone else's and it definitely helps if I
can hear *all* of the voices, *all* of the words (where applicable) and
*all* of the instruments. I know from my own *personal experience* that a
lot of the so-called modern, blameless, low-distortion kit on modern
speakers just *doesn't do that*......!!
OK...??
That's just fine.
I've never had any issue with anyone who chooses to use electronics creatively
to alter the listening experience to suit their taste as long as they're honest
about it.
What does offend me is those who present 'their way' as the only true one and
are wholly dishonest about the methods they use and then present them as
'superior' to the path of neutral accuracy.
Neutral, as I've hinted at a couple of times isn't always maybe the 'easiest
listening experience' but it can be a true revalation.
Do you have Joni Mitchell's Blue btw ? It has a number of flaws imho but it's
well worth listening to 'straight'. I use it as one of my regular references as
it happens.
Graham
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